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Introduction to
mass communication

Professor Greg Downey
Spring 2008

University of Wisconsin-Madison
Journalism & Mass Communication 201

I, II; 4cr. (S-E); Comm B course. Open to Freshmen; closed to Seniors except by consent of instructor. Prerequisites: Completion of Comm A course (concurrent registration is not sufficient). Please see our superb Journalism undergraduate advisers for questions on course requirements.

3650 Humanities 9:55am – 10:45am MWF
plus one 75-min. discussion section each week
(see timetable for choices of discussion section)
All sections meet either on Tues, Wed, Thurs, or Fri

Please note: There is one "honors" discussion section with the professor (DIS 301), Friday, 11am, 4008 Vilas, and one "Chadbourne" discussion section with the professor (DIS 302), Tuesday, 9:30am, B21 Chadbourne.

Course web site  This course web site serves as your syllabus; you will receive a printout of the web site at the beginning of the semester, but you should check back weekly as scheduling and assignments are always subject to revision. Find the web site at www.journalism.wisc.edu/~gdowney/courses/j201/ 

Main lecture weblog  We use a weblog (or "blog" for short) for students, TAs, and guest lecturers to hold a virtual discussion outside of the physical classroom.  We also post outside instruction opportunities and extra credit opportunities to the weblog.  If you wish to post "replies" and "comments" to the weblog, you must register with Blogger at www.blogger.com and click on "create your own blog now" (this will give you a Blogger ID).  Find our weblog at j201.blogspot.com

Discussion section weblogs  Some TAs (including the professor) may set up their own weblogs for use by their particular discussion sections.  These are meant to supplement, not replace, the main course weblog.

Email list  To make sure that you receive all emails sent out about the class, check that your current email address is on file with UW by visiting either My UW-Madison (Student Record Tab, Preferred Email address module) or EASI (Extended Access to Student Information).


[icon]Why take this course?

To become a critical media consumer and producer

  • Understanding the ideal and normative functions of our mass media system — what we want our mass media to do for use (and what we hope it doesn't do to us).
  • Understanding the structural qualities of our mass media system – political, economic, social; following the money, tracing the power, seeing the disparities.
  • Understanding the agency effects and feedbacks on the media systems – both the effects on individual thought and behavior and the power of individuals to influence what they see (through viewership, purchasing, democratic actions, or personal media production).
  • Understanding the criticisms that the media industry faces and alternative ways of constructing the media industry (and why those criticisms and alternatives may be rare to appear in the media industry itself).

To fulfill the “Communication B” requirement

While not all of you will become professional journalists or strategic communicators, each of you will need to communicate clearly and effectively through the spoken and written word. This course fulfills the campus Communications-B requirement for this skill. You will spend time outside class, as well as in weekly discussion sections, refining your critical communication skills through oral presentations, written assignments, peer review, and revision. Please note, however, that our TAs are not expected to teach you the basics of spelling, grammar, usage, and proper sentence construction. (That's what high school is for.)

To apply for admission to the School of Journalism and Mass Communication

Some of you are considering careers in the media. This course should help you make informed decisions about your professional life and will serve as the prerequisite to entering the School of Journalism and Mass Communication. Please note: out of nearly 300 applicants to the J-School each semester, only 100 can be accepted.


Course plan

The course is divided into three units, each focusing on a different set of mass communication processes.

Mass communication and entertainment: Covers the overall shape and impact of mass media, with emphasis on the “entertainment” aspects of books/magazines, music/radio, and film/TV (and the profit-making potential of each).

Strategic communication in politics and economics: The journalism school uses this term to describe mass communication that (primarily) seeks to persuade. In practice, strategic communication means commercial advertising and public relations, or political advertising and public diplomacy.

Journalism and digital convergence: This unit focuses on mass communication that (primarily) seeks to report “truth.” Newspapers are primarily journalistic and books, magazines, broadcasting, and “the net” partially.


[icon]Assignments and grading

There are 100 points available in this course:

  • Oral presentations - 10 points
  • Written papers including peer reviews - 40 points
  • Exams and quizzes including a final exam - 40 points
  • Discussion section participation - 10 points

Your grade will be based on your point total:

A
90 - 100
AB
85 - 89
B
75 - 84
BC
70 - 74
C
60 - 69
D
50 - 59
F
0 - 49

 

Oral presentations (10 points)

Prepared oral presentation (5 points)

At the beginning of the semester, your TA will assign you one article from the reader.  On the day your section discusses that article, you will start the discussion by making a five-minute oral presentation on the article. You will also need to hand in a written outline of your presentation to your TA.

You should devote the first part of your presentation to identifying the main arguments of the reading, outlining the author's claims, reasons, and evidence. You do not have to go into great detail (since all students will have read the article) but you do have to provide an accurate summary.  The rest of your presentation should deal with your reaction to the reading. You need to make your own claim and your reason for that claim, providing evidence to support it. Like a good paper, your talk needs a short introduction and a satisfying conclusion.

 

Extemporaneous oral presentation (5 points)

In addition to making your own presentation on one of the articles, after each presentation the instructor will call on another student in the section to give a two-minute extemporaneous response.  This means that all students (or at least those who haven't been called on in previous weeks) need to be prepared to speak to the points of each article, and need to have listened closely enough to their classmate's speech to address the specific points raised in the original presentation.  You may refer to notes that you have taken beforehand (on the article) or in class (during the speech).

Guidelines for delivering presentations

Do not read your presentation. Speak from simple notes that keep you on track, but allow the words to emerge spontaneously and conversationally.  A good strategy is to practice your presentation in front of a mirror, a tape recorder, or a friend.

Evaluation criteria for all presentations

Content:

  • Do you accurately capture what the author was saying?
  • Is your own claim clear?
  • Is your evidence for your claim convincing?
  • Have you turned in an acceptable written outline of your talk?

Delivery:

  • Have you kept to the time specified?
  • Do you project enough for everyone to hear you?
  • Does your inflection and emphasis help convey your meaning (as in normal conversation)?
  • Are you, like, avoiding the use of slang and, basically, all those crutch phrases like "like" and "basically"?
  • Do you seem to be enjoying yourself (even if you aren't)?

Please note that if you are presenting an article during a particular discussion section, you will not be called on to respond to an article during that same section.

 

Papers and peer reviews (40 points)

You will write three four-page papers for this class, each tied to the class readings and each requiring some outside investigation.   Even though these papers are short, they should still each have the three basic components of an academic essay:

  1. An introduction which clearly states a thesis (and please underline that thesis).
  2. A body which develops the thesis, with one argument per paragraph.
  3. A conclusion which not only restates the thesis, but leaves the reader with something more.

Guidelines for writing papers

  • Use one-inch margins on all sides
  • Double-space all text.
  • Indent all paragraphs.
  • No extra blank lines between paragraphs.
  • Use 12-point Times, Times Roman, or Times New Roman font.
  • Number your pages.
  • Put your name and your TA's name on the first page.
  • Turn in a one-page outline with each draft.
  • Turn in a one-page list of references with each draft (APA style).
  • Staple all pages (no paperclips or corner folds).

Citing outside sources

In each paper you are expected to use outside articles (from your reader, from the optional readings on this web site, or from your own literature search) to support your arguments.  You need to cite these outside articles whenever you use an idea, quote, or fact from these sources.  We recommend APA style when citing sources in J201 papers:

  • In the text of the paper, use the author's last name, the year of publication, and the page number, like this: (Gitlin, 2002, p. 10)
  • In the list of references at the end, organize alphabetically by author last name, like this: Gitlin, T. (2002). Media unlimited: How the torrent of images and sounds overwhelms our lives. New York: Henry Holt and Co.
  • For all the details on APA style see this summary and this sample paper documented in APA style.
  • If it is not your idea, cite it.  Failure to properly cite outside sources is plagiarism and academic dishonesty and may be grounds for failing both the assignment and the course. 

For each assignment, first you write a rough draft, then you receive TA and peer feedback, and only then do you write a final draft. 

Paper 1: Media purposes (10 points)

During the first two weeks of class, you were assigned four readings which discussed the purposes, promises, and problems of mass communication in broad terms.  In lecture and discussion we developed some examples of particular contemporary media products which might exemplify these different aspects of the media. 

Your goal in this first paper is to choose one specific media product (eg. a magazine, newspaper, web property, cable channel, radio station, television show, mass-market book, popular film, etc.) and use at least two of these articles to analyze that media product, making an argument about how that media product relates to the purposes, the potential benefits, and the potential risks of mass communication in society. 

In other words, your paper should answer the questions: What primary purpose does your media product serve?  Why is that communication purpose important to society?  And how well does that media product serve this communication purpose?

Please note that this paper cannot rest simply on your opinions. Your arguments must be drawn from ideas presented in the articles you use, and your evidence should be specific to the media product you chose. 

 

Paper 2: Analyzing advertising (10 points)

Pick any advertisement you like and use at least two authoritative articles (from your reader, from the "optional readings" listed on this web site, and/or from an outside source) to analyze the purpose and effectiveness of that advertisement, paying attention to both its context (the media product it appears in) and its target market. 

In choosing the articles to help you analyze this ad, remember: you don't have to agree with the authors of the articles you use, but you have to show how those authors would interpret and understand the advertisement you've chosen. 

Your paper should answer the questions: What is the advertisement and where was it placed? What is it's intended function?  How do you know this?  And how well does the ad perform that function? 

 

Paper 3: Evaluating reporting (10 points)

Pick any current news story you like, and read how that story is covered by two different news properties. Then use at least two authoritative articles (from your reader, from the "optional readings" on this web site, and/or from an outside source) to analyze the coverage by each outlet.

Beware: This assignment is not as simple as it seems.  A "news story" is rarely confined to a single news report.   This means reading more than just one article from each news outlet in order to follow the coverage of the story over time.  For very long stories, like a war or a presidential election, you will need to pick a manageable sub-story or event to focus on for your paper.

Pay close attention also to the kind of news coverage you are reading.  Are these breaking news reports or later news summaries?  Are they "analysis" articles from a particular point of view, or attempts at "objective" reporting?  Are they opinion pieces?  Press releases?  Coverage purchased from other news organizations (like the Associated Press)?

Your paper should answer the questions: What is the news story?  How do the different outlets cover the story?  Which outlet covers the story better? And why do you think this?

Evaluation criteria for all papers

1. Following instructions.  Does your paper follow the instructions of the assignment? Was it turned in on time? Does it conform to our formatting guidelines?

2. Grammar and style.  Do you avoid grammatical, spelling, and usage errors? Do you have any run-on sentences or non-sentences? Are your sentences clear and concise? Are references in correct APA style?

3. Thesis and structure.  Does your introduction contain a clear thesis (underlined)? Does your conclusion end with a compelling idea? Do arguments and examples build logically in between, following your outline?

4. Use of sources.  Does your paper demonstrate that you understand the examples and arguments from the articles you use? Does your thesis deal with the central arguments rather than peripheral issues? 

5. Arguments and evidence.  Do you support your thesis with compelling evidence and arguments? Do you counter at least one possible argument against your answer?

6. Creativity and difficulty.  Finally, remember that we appreciate papers which find exemplary outside sources, represent an unusual challenge, take on a unique case, or come up with a creative point of view. 

Finding outside sources

icon
Memorial
Library

icon
College
Library

In order to find an authoritative outside source, you should use the resources available at our campus libraries. But here are some suggestions to get you started:

Getting help from the Writing Center on your papers

Our campus is lucky to have a top-notch and easily-accessible Writing Center which is free for all students to use. The Writing Center is located on the 6th floor of Helen C. White Hall (the same building as the College Library). You should feel free to get assistance from the Writing Center staff on any of your four papers. Visit them online too.

Occasionally, after reading your rough draft or even your final draft of a paper, your TA may demand that you visit the Writing Center to help you revise your paper before receiving your final grade for that paper. In this case you must bring back a "receipt" from the Writing Center verifying that you did indeed visit to work on your J201 assignment.

Please note: While working with the Writing Center will almost always mean that you will earn a better grade on your paper, simply visiting the Writing Center — either on your own or after your TA demands it — is not a guarantee that you will receive full points on any particular assignment. Your work is still your own responsibility.

Writing peer reviews of classmates' papers (10 points)

Your TA will divide each section into groups of three students for peer reviews (some TAs may shuffle these groups for each assignment).  You will review the rough drafts of the other two students in your peer review group, and they will review your rough draft.

Peer reviews must be written out, with one double-spaced page (250 words) for each paper you review.  Each review should include both things the author did well and things the author still needs to work on.  Which does the student need to work on more, writing style and grammar or argument and evidence? 

You will need to hand back each review to the paper's author and talk about it in section.  You will also need to hand your peer reviews for these papers in to your TA to demonstrate that you have participated in this activity, so make two sets of copies.  These peer reviews will not be anonymous, so you should take care to offer constructive criticism (the same kind of criticism you would like to see someone offer on your paper).

 

Exams and quizzes (40 points)

Each of the three units in the class ends with a closed-book exam to test your grasp of key terms and concepts. 

The first part of each exam will consist of several terms which students must both define and give the significance of in a few sentences.  For example, if the term is "Internet," a definition might be "A global network of computers which communicate using the shared TCP/IP protocol." But the significance might be "As both personal and mass communication move to the Internet, existing media companies are both facing competition from new market entrants and exploiting new opportunities for consolidation and profit."

The second part of each exam will consist of one or more conceptual questions which you must answer by writing an essay in a blue exam book which we provide for you.  For example, one question might be, "Define what you think the phrase 'public interest, convenience, and necessity' does (or should) mean, with respect to an important social purpose of the mass media; then pick one mass communication medium which you think serves that public interest well, and explain why and how it is able to do this."

One week before each exam, a review sheet will be handed out with sample short answer terms and essay questions to help guide you in your test preparation.  Students should prepare to identify all terms and answer all essay questions, as the instructor will choose which ones actually appear on the exam at the last minute. Please note that the terms and questions which actually appear on the exam may differ slightly from what is on the study guide. 

During exam weeks there will be no discussion section, no readings, and no other assignments due.

First midterm exam (10 points)

Covers introductory mass communication concepts and various entertainment meda. Five terms to identify and give the significance of (1 point each) plus one essay question (5 points).

 

Second midterm exam (10 points)

Covers strategic communication, but in relation to the general mass communication concepts and entertainment media from the first part of the course. Five terms to identify and give the significance of (1 point each) plus one essay question (5 points).

 

Final exam (15 points)

Covers journalism and new media, but in relation to the entertainment and strategic communication concepts which have come before. Five terms to identify and give the significance of (1 point each), one essay question covering the journalism unit (5 points), and one more essay question covering the whole of the class (5 points).

 

Discussion section quizzes (5 points)

Five times during the semester, at your TA's discretion, you will have a one-question, one-point quiz during the first five minutes of your discussion section. Quiz questions will cover basic material from the lectures since the last section, in order to make sure that students are attending lecture and taking notes.  (And since sections are spread out over the whole week, quiz questions will differ for each TA and each section.) These quizzes are not meant to be tricky or difficult; they are simply meant to verify that you are keeping up with the class as you should.  If you're attending lecture and you're paying attention while you're there, you should do just fine.  If you arrive for discussion section late and miss a quiz, you lose the point for that quiz.

 

Discussion section participation (10 points)

This grade will be assigned by your section TA, based on both the amount and quality of your participation in weekly discussion. Points may be taken off, for example, for unexcused absences, regular tardiness, and disrespect of other students.  Some TAs may also require online participation in a section weblog.   If you never speak up in section, you cannot expect to receive full points for participation.

 

Extra credit (maximum 3 points)

Social science researchers have probably studied more college students than any other single group in our population. That’s because college students take courses like this one,
which can suggest – but not require – that you serve as a subject in the pursuit of “truth” and helping graduates students finish their degrees. J 201 offers extra credit points for research participation, not because we love those graduate
students, but because we want to expose you to research methodology.

You can participate either as a research subject or as an attendee at presentations about the methodology of the studies being conducted this semester. You will probably get the most out of the experience by serving as a subject and attendee for the same study, but you will only earn credit for the same experiment once.  You will receive one point for each experiment you participate in, up to a total of three points.

At the end of the semester you need to turn in a typed list of each experiment you participated in. We will compare your list against our master list of experiment subjects, so no academic dishonesty, please.

As each outside activity is announced, it will be listed on the course weblog at http://j201.blogspot.com/


[icon]Texts to purchase


ASM
StudentPrint


Journalism
Reading Room

There is no textbook for this course. Instead, we will read several articles on each of the mass media’s three main social functions: entertainment, strategic communications, and journalism.  We have produced a xeroxed (non-profit) "reader" for you to purchase from ASM Student Print containing most of these articles. The reader should cost about $25, which is 1/4 the cost of a standard textbook.  Two copies of the reader will also be put on reserve at the Journalism Reading Room.  You can expect about 50 pages of reading (two articles) each week.

NB: These articles were not chosen to be “unbiased” texts or to be the final word on how the mass media do (or should) function in society. Rather, I have picked these articles with three goals in mind: they are readable and interesting while still scholarly; they are relevant to current events; and, often, they are polemical in that they argue for a particular interpretation of the world which you may choose to agree with or to disagree with.

We will also use a guide to researching and writing in this course, available at local campus bookstores: 

Wayne C. Booth, Gregory G. Colomb and Joseph M. Williams, The craft of research, 2nd ed. (2003). "This manual offers practical advice on the fundamentals of research to college and university students in all fields of study. [It] teaches much more than the mechanics of fact gathering: it explains how to approach a research project as an analytical process." [from the publisher]

The total cost of your texts for this class, purchased new, should be about $50.  The course instructor receives no royalty from any of these books (or from the reader).


Films to watch

Films are an important educational resource and should be treated with the same seriousness as lectures and texts, meaning:

  • Students need to attend in-class film screenings
  • Students should take notes on the films
  • Material from the films may appear on exams

You may (and should) use concepts, evidence, and arguments from the films in your written assignments

All films will be screened in Humanities 3650.

[Frontline] The Persuaders (2004). 60 min.  “In "The Persuaders," FRONTLINE explores how the cultures of marketing and advertising have come to influence not only what Americans buy, but also how they view themselves and the world around them. The 90-minute documentary draws on a range of experts and observers of the advertising/marketing world, to examine how, in the words of one on-camera commentator, "the principal of democracy yields to the practice of demography," as highly customized messages are delivered to a smaller segment of the market.” [from PBS] pages

video[Frontline] The way the music died (2004). 60 min. "The modern music scene was created in 1969, at Woodstock. Fans, artists and politics coalesced in a big bang moment that eventually would generate billions of dollars. But over the last 20 years, MTV, compact discs, corporate consolidation, Internet piracy and greed have contributed to a perfect storm for the industry. FRONTLINE examines how the business that has provided the soundtrack of the lives of a generation is on the verge of collapse." pages

videoSHE SAYS: Women in News (2001). 60 min.  “This program explores the impact of having more women in decision-making roles in journalism on the news, the news room culture and the society. Since the early days of the Women's Movement, the number of women in both print and electronic journalism has increased by more than 25%.” [from the producer] pages

videoControl Room (2003).  86 min.  "A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see." pages


[icon]Guest lecturers

Regularly over the course of the semester, guest lecturers will speak to the class in order to provide expert views on particular topics.  Guest lectures should be treated with the same seriousness as regular lectures, meaning:

  • Students need to attend guest lectures
  • Students should take notes on the guest lectures
  • Material from the guest lectures may appear on exams

All guest lectures will be held in Humanities 3650.


[icon]Students with special needs

Persons with disabilities are to be fully included in this course. Please let me know if you need any special accommodations to enable you to fully participate. I will try to maintain confidentiality of the information you share with me. To request academic accomodations, please register with the McBurney Disability Resource Center.


[icon]Academic honesty and respect

Academic honesty requires that the course work (drafts, reports, examinations, papers) a student presents to an instructor honestly and accurately indicates the student's own academic efforts. If you are unsure about what qualifies as academic dishonesty, please consult the Academic Misconduct Guide for Students.  Two points in particular to keep in mind:

  • copying or paraphrasing material from web pages without proper quotation and citation is plagiarism

  • copying or paraphrasing material from fellow students is plagiarism

Please remember that any plagiarism may be sufficient grounds for failing a student in the entire course.

The UW-Madison is committed to creating a dynamic, diverse and welcoming learning environment for all students and has a non-discrimination policy that reflects this philosophy. Disrespectful behaviors or comments addressed towards any group or individual, regardless of race/ethnicity, sexuality, gender, religion, ability, or any other difference is deemed unacceptable in this class, and will be addressed publicly by the professor.


Military call-ups

We recognize that those students serving in the armed forces may be called to active duty at any time.  The university has posted guidelines for students who are called to duty detailing options for withdrawing from, dropping, or completing courses.  In general, students called to military service may receive credit for this class if leaving after the midway point of the course, at the discretion of the instructor, based on the student's earned grade up to the time of departure.


[icon]About the instructor

Greg Downey <gdowney @ wisc.edu> is an associate professor with a 50 percent appointment in the School of Journalism and Mass Communication and a 50 percent appointment in the School of Library and Information Studies.  His teaching and research both center on the history and geography of information and communication technology and the often hidden human labor behind it.

Downey joined the UW faculty in 2001. He holds a B.S. and M.S. in computer science from the University of Illinois, Champaign-Urbana, an M.A. In liberal studies from Northwestern University, and a joint Ph.D. in history of technology and human geography from the Johns Hopkins University. Before coming to Madison, Downey spent a year as a postdoctoral fellow in the Department of Geography and the Humanities Institute at the University of Minnesota, Twin Cities.

His industry experience as a computer analyst includes three years at the Leo Burnett advertising agency in Chicago, and three years at Roger Schank’s Institute for Learning Sciences at Northwestern University. He has held short-term volunteer positions with both the Center for Neighborhood Technology in Chicago and the Community Information Exchange in Washington D.C. And he used to draw a daily comic strip when he was an undergraduate, believe it or not.

coverBook coverDowney's first book, Telegraph Messenger Boys: Labor, Technology, and Geography, 1850-1950, was published by Routledge in 2002.  His second book, Closed captioning: Subtitling, stenography, and the digital convergence of text with television, was published by Johns Hopkins in 2008.  He is currently working on his third book, a history and geography of library labor and technology in the US over the 20th century.


[icon]About the teaching assistants

Your TAs are all rather underpaid and overworked but whip-smart masters and doctoral students in the School of Journalism and Mass Communication.  Each TA will hold regular office hours (announced in section).

Name Email
(please add @wisc.edu)
Sections and Weblog (if any)
Greg Downey gdowney

blog301 (honors)
302 (Chad)

Vanessa Alabarces
alabarces 314, 315
Ashley Anderson aaanderson3 305, 323
Pori Borah
borah 318, 319
Rich Cleland
rcleland 308, 321 blog
Andy Erdman
aaerdman 309, 317
Melissa Gotlieb
mrgotlieb 303, 316
Jen Janscha
jjanscha 322, 304
Aaron Veenstra
asveenstra 307, 311
Davita Veselanak
veselenak 324, 320
Emily Vraga
ekvraga 312, 313
(Bryan) Ming Wang mwang24 306, 310

NB: TAs will meet with the professor each week on Monday at 11am after lecture.

 


iconFrequently Asked Questions

Q: Is J201 offered in both Fall and Spring?
A: Greg Downey tends to teach J201 in the Spring. The Fall instructor for J201 is usually Jack Mitchell <jwmitch1 at wisc.edu>. Please contact him for details on his version of the course web site, readings, and assignments.

Q: I'm a senior and a really want/need to take J201.
A: J201 is generally closed to seniors because: (1) demand for J201 is so severe; (2) J201 is an introductory class (in both its writing skills and its substantive aspects) not appropriate for seniors; and (3) seniors do not have enough time after taking J201 to finish a Journalism and Mass Communication major.

Q: The section I want is full. Is there a waiting list?
A:There is no waiting list for J201. If you meet the course prerequisites but the section you want is full, you may try to continue to try to register electronically through the first two weeks of class (when many students drop the course). You may attend lecture while attempting to formally register, up to the university add/drop deadline. Often enough spaces open up in these first two weeks to accomodate all interested students. If you can be more flexible in your choice of discussion section, you will be more likely to get a spot in the course.  And remember: the class is offered both Fall and Spring!

Q: I have a class conflict with my section; can I switch?
As a university student, it is your responsibilty to sign up for a discussion section which fits your class schedule.  It is not possible for us to do your scheduling for you.  Our only advice is to try the online registration system to see if you can sign up for a new section and drop your old section through the official system. With over 400 students adding and dropping, section counts are in constant flux so you might want to check the system at different times of the day/week to try your switch.

Q: I represent [your student group here] and I would like to talk to your students for just five minutes before class.
A: Class time is too limited for me to allow any student groups to speak before class (even those related to journalism and mass communication). But if you send me a paragraph describing your organization, I will gladly post it to the class weblog.

Q: Why don't you put your lecture slides online before lecture, so students can print them and follow along?
A: Good idea, but it won't happen because (1) it encourages some students to skip lecture, (2) it discourages some students from taking their own notes, and (3) I am often still tweaking and editing the slides minutes before lecture begins. Slides will generally be available 24 hours after lecture.

Q: I have a [wedding, family reunion, Ren and Stimpy marathon] on the exam date. Can I take it another time?
A: University students are expected to attend all classes and all exams.  Makeup exams are only offered for documented medical reasons.

Q: On the exam review sheet, could you please explain to me the meaning of the following eight terms ...
A: The instructor and the TAs will not answer questions like this over email. Bring such questions to section or to the lecture that we devote to reviewing for the exam, or ask them on the class weblog to see if your fellow students can help. And study your notes and readings.

Q: I liked J201 and now I want to major in Journalism and Mass Communication. Can you write me a recommendation?
A: Our policy is that J201 instructors (including TAs) do not write recommendations for students to enter the J-School.

Q: Your class has too much [politics, economics, history, sociology] in it, which I think belongs in a [political science, economics, history, sociology] course and not in a mass communication course.
A: Welcome to the world of interdisciplinary, socially relevant, and intellectually complex university education.

Q: I heard that the poltergeists of Humanities 3650 have a rather malevolent grudge against you, cutting the power to your microphone, dripping water on your computer, and dumping acoustical wall tiles into the aisles at random moments during your lectures.
A: Please do not taunt the Humanities 3650 poltergeists.

Q: Do you mind if, while you are lecturing, I keep my laptop open at my seat and, though appearing to take notes, actually spend the whole class period surfing e-Bay for collectible Lego minifigures based on the short-lived 1980s science-fiction comedy series "Quark"?
A: Please do not taunt me either.

Q: Did I miss anything when I skipped your class?
A: The answer is here.


iconDid you know?

• UW-Madison has about 28,000 undergraduates, but there are only 19 courses which enroll over 400 students, and J201 is one of them.  (A colleague of mine likes to call it "stadium rock".)  But our discussion section size of 18 students falls well below the average UW course size (including all labs, lectures, discussions and seminars) of 28 students. [Source: Deborah Ziff, "UW profs aim to stir up giant classes," madison.com (25 Nov 2007)]

• According to the Vice-Provost for Teaching and Learning, UW-Madison students spend an average of over $700/year on textbooks and class materials.  However, rather than using a mass-market $100 textbook in J201 (which may be out of date the moment it is printed), we use a custom-crafted $25 course reader (which changes every semester), sold on a non-profit basis under Fair Use copyright laws with proceeds going to a student-run organization.

• Many of the extra-credit studies that J201 students participate in are published in major communication research journals, and many J201 TAs go on to become professors at top research universities around the nation.

• J201 was one of the first courses on campus to use weblogs extensively in course management and discussion.  But it was the students who figured out that the weblog could be used as a virtual study session to prepare for exams.

• From time to time the authors of J201 readings have commented on our class weblog.  Participants have included New York Times reporter (and former UW-Madison graduate) Marshall Sella, as well as Internet-saavy campaign consultant to Howard Dean and (now) John Edwards, Joe Trippi.


iconOther J-School weblogs

If you're thinking about majoring in Journalism and Mass Communication, you might want to start following the discussion on some of our other J-School weblogs:

(blog icon)Blog
Feed

Thanks for working hard all semester!

Hi folks, just in case you check back on the blog before heading off for your summer adventures, I wanted to say thanks for working hard in J201 all semester. Grades should be posted sometime late next week. J201 is the kind of course that helps keep professors on their toes; I always come away with some new insights and ideas each semester and I hope you learned something interesting and/or useful from the course too. Do stay in touch especially if you end up in the J-School for your college major or in any sort of media field for your ultimate career. I appreciated your curiosity, your attention, and your tolerance for my corny jokes. Cheers,

GREG


Previous news from J201.blogspot.com ...
  • ABC Top Priority
  • Swift Boat Veterans for Truth: Take Two
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    Spring 2008 syllabus

    slides SLIDES • pages TEXT • globe WEB • pages CONTACT
    WEEK 1

    Mass communication
    Introduction

    L E C T U R E
    W 23 Jan: Introduction to the class slides
    F 25 Jan: What is mass communication? slides

    S E C T I O N
    Sections will meet this week starting Tu 22 Jan
    Meet your TA and fellow students
    TA assigns students to articles for oral presentations
    Sample oral assignment grading sheet pages
    Sample written assigment grading sheet pages
    Printable two-page summary of the syllabus pages
    Printable two-page summary of the assignments pages

    R E Q U I R E D    R E A D I N G S

    • Robert McChesney and John Nichols, "The problem with US media," in Our media, not theirs: The democratic struggle against corporate media (2002), 46-80; 35 pages. page
    • Paul Starr, "Coda: The advent of the media," in Paul Starr, The creation of the media: Political origins of modern communications (2004), 385-402; ~20 pages. pages

    O P T I O N A L    R E A D I N G S

    • James W. Carey, “A cultural approach to communication,” in Communication 2:2 (1975), 20 pages. page
    • Neil Postman, “Media as epistemology” in Amusing ourselves to death: Public discourse in the age of show business (1985), pp. 16-29; 15 pages. page
    • Marshall McLuhan, “The medium is the message [selection],” in Understanding media: The extensions of man (1964); reprinted in Paul Marris and Sue Thornham, eds., Media studies: A reader, 2nd ed. (2000), 38-43; 5 pages.
    • Peter A. Facione, "Critical thinking: What it is and why it counts" (1998); 15 pages. pages

    W E B   R E S O U R C E S

    F U N

    • "I'm very interested in hearing some half-baked theories," Onion (November 9, 2005); 2 pages. pages

    WEEK 2

    Mass communication
    Media structures, audiences, and effects

    L E C T U R E
    M 28 Jan: Media marketplaces and monopolies slides
    W 30 Jan: Media effects and audiences slides 
    W 30 Jan: Last day to drop courses or withdraw without notation on transcript
    headshotF 01 Feb: Guest lecture on media research: Dominique Brossard pages slides CONFIRMED

    S E C T I O N
    Speeches (and responses) on each reading
    Discuss tasks for paper 1 (draft due next week)

    R E Q U I R E D    R E A D I N G S

    • Robert Putnam, “Technology and mass media” in Bowling alone: The collapse and revival of American community (2000), 216-246; 30 pages. pages
    • Neil Campbell and Alasdair Kean, "The transmission of American culture," American cultural studies: An introduction to American culture, 2nd. ed. (2006), 287-314; ~25 pages. pages

    W R I T I N G   T O O L S

    • "Planning and drafting" (Booth W. et al 2003 ch. 12) pages
    • "Making good arguments" (ch. 07) pages
    • "Claims" (ch. 08) pages
    • "Reasons and evidence" (ch. 09) pages
    • "Acknowledgements and responses" (ch. 10) pages
    • Summary of APA style
    • Sample document in APA style pages
    • A few rules for good writing pages

    O P T I O N A L   R E A D I N G S

    • Kurt Lang, “Communications research: Origins and development,” in Erik Barnouw et al., eds., International Encyclopedia of Communications (New York: Oxford University Press, 1989), 369-374; 5 pages. pages
    • Paul F. Lazarsfeld and Robert K. Merton, “Mass communication, popular taste, and organized social action [selection],” in Lyman Bryson, ed., The communication of ideas (1948); reprinted in Paul Marris and Sue Thornham, eds., Media studies: A reader, 2nd ed. (2000), 18-30 (13 pages).

    F U N

    • "New video game designed to have no influence on kids' behavior," Onion (December 14, 2005). pages

    WEEK 3

    Entertainment
    Print media

    L E C T U R E
    M 04 Feb: Books slides
    W 06 Feb: Magazines slides
    headshotF 08 Feb: Guest lecture on newspapers: James Baughman pages CONFIRMED

    S E C T I O N
    Speeches (and responses) on each reading
    Draft and outline of paper 1 due (three copies)
    TA assigns students to peer review groups of 3 students

    R E Q U I R E D    R E A D I N G S

    • National Endowment for the Arts, To read or not to read: A question of national consequence [executive summary] (2007); ~20 pages. pages
    • Aurora Wallace, "National news and the nation: The New York Times, the Washington Post, the Wall Street Journal, and USA Today," Newspapers and the making of modern America (2005), 155-188; ~30 pages. pages

    W E B   R E S O U R C E S

    O P T I O N A L   R E A D I N G S

    • David Levy, "A bit of digital history," in Scrolling forward: Making sense of documents in the digital age (2001), 137-157, 20 pages. pages
    • Kevin Kelly, "Scan this book!" New York Times (14 May 2006), 15 pages. pages
    • Bradford W. Wright, “Turning point: Comic books in crisis, 1954-1955,” in Comic book nation: The transformation of youth culture in America (2003), 154-179; 25 pages.

    WEEK 4

    Entertainment
    Visual media

    L E C T U R E
    M 11 Feb: Film slides 
    W 13 Feb: Television slides
    headshotF 15 Feb:  Guest lecture on television and minorities: Hemant Shah pages slidesCONFIRMED

    S E C T I O N
    Speeches (and responses) on each reading
    Peer reviews of paper 1 due (two copies)
    Discuss peer reviews in groups

    Comments on paper 1 returned to students

    R E Q U I R E D    R E A D I N G S

    • George Gerbner et al., "Growing up with television: Cultivation processes," in Jennings Bryant and Dolf Zillman, eds., Media effects: Advances in theory and research, 2nd. ed. (2002), 43-67; ~20 pages. pages
    • Lynn Spigel, "Entertainment wars: Television culture after 9/11," American Quarterly 56:2 (2004), 235-270; reprinted in Horace Newcomb, ed., Television: The critical view, 7th ed. (2007), 625-653; ~25 pages. pages

    W R I T I N G   T O O L S

    • "Revising your organization and argument" (Booth W. et al ch. 13) pages
    • "Introductions and conclusions" (ch. 14) pages
    • "Revising style" (ch. 16) pages

    W E B   R E S O U R C E S

    O P T I O N A L   R E A D I N G S

    • James L. Baughman, “The war for attention: Responding to television, 1947-1958,” in The republic of mass culture: Journalism, filmmaking, and broadcasting in America since 1941 (1992), 59-90; 30 pages. pages
    • William Hoynes, "The PBS brand and the merchandising of public service," in M. McCauley et al., Public broadcasting and the public interest (2003), 41-51; 10 pages. pages
    • Brian Winston, “How are media born?” in John Downing, Ali Mohammadi, and Annabelle Sreberny-Mohammadi, eds., Questioning the media: A critical introduction (1990); reprinted in Paul Marris and Sue Thornham, eds., Media studies: A reader, 2nd ed. (2000), 786-801 (16 pages).
    • Steven Johnson, “Television,” in Steven Johnson, Everything bad is good for you: How today’s popular culture is actually making us smarter (New York: Riverhead Books, 2005), pp. 62-103; 40 pages. pages
    • Raymond Williams, “Programming as sequence or flow [selection],” in Television: Technology and cultural form (1974); reprinted in Paul Marris and Sue Thornham, eds., Media studies: A reader, 2nd ed. (2000), 231-237; 7 pages. pages

    WEEK 5

    Entertainment
    Auditory and interactive media

    L E C T U R E
    M 18 Feb: Radio  slides
    T 19 Feb: WISCONSIN PRESIDENTIAL PRIMARY
    W 20 Feb: Video games slides
    videoF 22 Feb: new Movie: Growing up online (2008) globe

    Exam 1 review terms and questions emailed out Friday. pages

    S E C T I O N
    Paper 1 final version and outline due

    R E Q U I R E D    R E A D I N G S

    • David Byrne, "David Byrne's survival strategies for emerging artists — and megastars," Wired 16:1 (18 Dec 2007); 10 pages. pages
    • Anna Everett and S. Craig Watkins, "The power of play: The portrayal and performance of race in video games," in Katie Salen, ed., The ecology of games: Connecting youth, games, and learning (2008), 141-166; ~25 pages. pages

    W E B   R E S O U R C E S

    O P T I O N A L   R E A D I N G S

    • Chris Anderson, "The long tail," Wired (October 2004) (6 pages). pages slides
    • Anna Wilde Mathews, "Clear Channel perfects the art of sounding local," Wall Street Journal (February 25, 2002) (5 pages). pages
    • Steve Albini, "The problem with music" The Baffler (1993); 5 pages. pages
    • Hadley Cantril, “The invasion from Mars,” in H. cantril, H. Gaudet and H. Herzog, The invasion from Mars: A study in the psychology of panic (1940); reprinted in Tim O'Sullivan and Yvonne Jewkes, eds., The Media Studies Reader (1997), 6-17 (12 pages).
    • Andrea Cano, “Microradio: A tool for community empowerment,” in Michael P. McCauley, Eric E. Peterson, B. Lee Artz, and DeeDee halleck, eds., Public broadcasting and the public interest (2003), 265-275 (11 pages).
    • Gail Beckerman, "Tripping up big media," Columbia Journalism Review (Nov/Dec 2003), 15-20; 5 pages. pages
    • Courtney Love, “Courtney Love does the math,” Salon (2000); 10 pages. pages

    WEEK 6

    First Midterm Exam

    L E C T U R E
    M 25 Feb: Review for exam pages
    W 27 Feb: EXAM 1 (10 points)
    F 29 Feb: CLASS CANCELLED

    Students requesting special accomodations with a McBurney visa may take the exam in alternate room TBA from either 9:30am - 10:45am or 9:55am-11:15am.

    S E C T I O N
    SECTIONS  CANCELLED

    R E Q U I R E D    R E A D I N G S
    NO READING; STUDY FOR EXAM

    WEEK 7

    Strategic Communication
    Advertising

    L E C T U R E
    M 03 Mar: Advertising origins slides
    W 05 Mar: Advertising today slides
    headshotF 07 Mar: Guest lecture on effective advertising: Doug McLeod pages slides CONFIRMED

    S E C T I O N
    Speeches (and responses) on each reading
    Graded exam 1 returned to students
    Graded paper 1 returned to students
    Discuss tasks for paper 2 (draft due next week)

    R E Q U I R E D    R E A D I N G S

    • Douglas Rushkoff, “Advertising,” in Douglas Rushkoff, Coercion: Why we listen to what “they” say (1999), 162-192 (31 pages). pages
    • Gloria Steinem, “Sex, lies & advertising,” Ms. (July/August 1990), 18-28; reprinted in Robert W. McChesney and Ben Scott, eds., Our unfree press: 100 years of radical media criticism (2004), 160-176; 17 pages. pages

    W E B   R E S O U R C E S

    O P T I O N A L   R E A D I N G S

    • Joseph Turow, “Mapping a fractured society,” in Breaking up America: Advertisers and the new media world (1997), 55-89; 35 pages. pages
    • Douglas Rushkoff, “Virtual marketing,” in Coercion: Why we listen to what “they” say (1999), 230-264 (35 pages).
    • Blake Fleetwood, "The broken wall: Newspaper coverage of its advertisers," Washington Monthly (01 Sep 1999); 5 pages. pages
    • Tom Reichert, “Arousing aspirations: Lifestyle apparel and high-fashion,” in The erotic history of advertising (2003), 231-251; 20 pages.
    • James B. Twitchell, “Plop, plop, fizz, fizz: American culture awash in a sea of advertising,” in James B. Twitchell, Adcult USA: The triumph of advertising in American culture (New York: Columbia University Press, 1997), 1-52; 50 pages. pages

     

    WEEK 8

    Strategic Communication
    Public relations

    L E C T U R E
    M 10 Mar: Public relations slides
    W 12 Mar: Public diplomacy slides
    F 14 Mar: CLASS CANCELLED

    S E C T I O N
    Turn in your VALS category
    Speeches (and responses) on each reading
    Draft and outline of paper 2 due - three copies

    R E Q U I R E D    R E A D I N G S

    • Naomi Klein, “A tale of three logos,” in No logo (2002), 365-396; 32 pages. pages
    • James Bamford, "The man who sold the war," Rolling Stone (17 Nov 2005), plus response by Rendon and rebuttal by Bamford; ~10 pages. pages

    W E B   R E S O U R C E S

    O P T I O N A L   R E A D I N G S

    • Edward Bernays, "Organizing chaos" and "The new propagandists," in Propaganda (1928), 37-46, 59-70; 20 pages. pages
    • Ronald E. Rice and Charles K. Atkin, "Communication campaigns: Theory, design, implementation, and evaluation," in Jennings Bryant and Dolf Zillmann, eds., Media effects: Advances in theory and research (2002), 427-451; ~25 pages. pages
    • Willem Marx, "I was a PR intern in Iraq," Harper's (18 Sep 2006); 12 pages. pages
    • Sheldon Rampton and John Stauber, “War is sell,” in Weapons of mass deception: The uses of propaganda in Bush’s war on Iraq (New York: Penguin, 2003), 37-63; 25 pages. pages

    WEEK 9

    SPRING BREAK

    No class or section. Please drink responsibly!


    WEEK 10

    Strategic Communication
    Political communication

    L E C T U R E
    videoM 24 Mar: Movie: Karl Rove - The architect (2007) globe
    W 26 Mar: Political opinion slides
    F 28 Mar: Last day to drop courses
    headshotF 28 Mar: Guest lecture on political advertising: Dhavan Shah pages slides CONFIRMED

    Exam 2 review terms and questions emailed out Friday. pages

    S E C T I O N
    Turn in your Political Compass category
    Speeches (and responses) on each reading
    Peer reviews of paper 2 due - two copies
    Discuss peer reviews in groups
    Comments on paper 2 returned to students

    R E Q U I R E D    R E A D I N G S

    • George Lakoff, "Framing 101: How to take back public discourse," in "Don’t think of an elephant!" Know your values and frame the debate (2004). pages
    • Bruce Bimber, "Overview of the theory" and "Political individuals in the fourth information revolution," from Information and American democracy: Technology in the evolution of political power (2003), 12-24, 197-228; ~40 pages. pages

    W E B   R E S O U R C E S

    O P T I O N A L   R E A D I N G S

    • Douglas McLeod, Gerald Kosicki, and Jack McCleod, "Resurveying the boundaries of political communications effects," in Jennings Bryant and Dolf Zillmann, eds., Media effects: Advances in theory and research (2002), 215-267. pages